![]() With its photo-realistic rendered GUI, Creme retains the workflow and easy-to-understand parameters that are a signature of Kuassa products. This metal amp VST are distinguished by its darker, fuller, and heavier tone, akin to a high-end high-gain tube guitar amplifiers perfect for more modern sounding rock to metal, Creme's three amp types and channels will bring you closer to the end of your search for the flawless tone. Kuassa Amplifikation Creme is a definite must-have addition for fans of the Amplifikation One or Vermilion. It features a digitally engineered head and matching cabinet with built-in overdrive sections, based on three legendary overdrive pedals, giving you full control of intense, dynamic, harmonically-rich distortion. The creme de la creme of metal amp VST Amplifikation Creme is the second entry to the acclaimed Amplifikation line of guitar amplification software. ![]() Standalone and Amplifikation 360 modules versions are also available. Supports various audio plugins: VST/VST3/AU/AAX which is compatible with any kind of Digital Audio Workstation software. Distinguished by its darker, fuller, heavier sound which will be loved by metalheads and modern guitarists. For those looking to make a tentative financial step into the world of amp simulation, Kuassa Amplifikation One could be just the ticket.The best guitar amp simulator for more modern high-gain guitar sound, metal, and alike. Then again, it weighs in at a fraction of the cost of those heavyweights, and it's also Kuassa's first commercial product. However, we feel that it hasn't quite captured some qualities, including power-amp response, cabinet resonance, speaker cone break-up, etc and thus the all-important feel and response to picking intensity isn't up there with AmpliTube or ReValver. However, when we tried to dial in the aggressive high end, the software sounded slightly abrasive and struggled with the downtuned low end, not quite achieving the clarity and definition of the amp/mic.ĭespite our few criticisms, Amplifikation One is extremely good value for money, and its versatility should allow most players to dial in a good representation of the tone they're seeking. The second project demanded high-gain contemporary metal tones, and Amplifikation One scored relatively well. The results were great, and it could be argued that its ability to manipulate tones in the mix makes the modelled tones work better than the real thing. ![]() We recorded the original guitar tracks using a Mesa Boogie Dual Rectifier on one side and a Peavey 5150 on the other, miked up with a Sennheiser MD421 and a Shure SM57 respectively.Īll guitars were recorded direct, too, so we could run the dry signals through Amplifikation One. We had the opportunity to put Amplifikation One through its paces on preliminary mixes for a couple of real-life projects. Product Code : Kuassa Amplifikation 360 Bundle Availability : In Stock. Given that the Custom can deliver pristine, piano-like cleans right the way through to World War III levels of piledriving distortion, we can't help but question whether we would ever actually use the other amps. Kuassa Amplifikation 360 Bundle - Digital Delivery Only. Unfortunately, the tonestack and power-amp types aren't available for the other seven amp models. Get to know it and terrific results can be effortlessly achieved. This is without doubt the most useful of the amp models due to its 19 different tonestack (EQ) types (arranged in order of increasing mids and bottom end) and four power-amp output types. When you back off the gain, a credible Angus Young-style rhythm sound emerges.īoth of those presets use the Kuassa Custom amp model, which has clean, crunch and lead channels, and is billed as the software's flagship amp. However, as soon as we get into slightly overdriven blues tones - à la Fender Tweed - matters become more interesting.Īmplifikation One's Modern Blues Crunch preset makes a solid attempt, while the Custom Crunch preset has impressive bite, guts and tone. When it comes to clean tones, today's software amp sims tend to have things well covered, and Amplifikation One is no exception. It would have been preferable to have the input/output gain independent of the presets, as Peavey's ReValver does. ![]() However, it's frustrating that input/output gain levels are saved with many of these presets, making it hard to compare tones without having to reset gain structures for each. The noise gate works well, as does the output limiter, while the five distortion modules can provide impressive tonal modification. Oh, and there aren't any clean presets at all. There's a touch too much drive on most, though, and with no input level meter on hand, it's impossible to know what kind of signal level the plug-in is expecting for optimum results. Diving into Amplifikation One's presets, it's clear that there are some impressive tones on offer.
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